Tag Archives: C.E. Murphy

Like a phoenix from the ashes …

At the Classical Association Annual Conference in Edinburgh a week ago, where I was part of a session on ‘Science Fiction and Classical Mythology’, along with Lynn Fotheringham, Nick Lowe, and the person who brought us all together, Marian Makins (you can find the abstracts in this document, at least until the site gets taken down, as it no doubt will soon), Frances Foster bemoaned the fact that nothing got published on this blog any more. So I have decided to resurrect it, though the Twitter account will remain dormant.

There’s a new issue out of Transformative Works and Cultures, the critical journal of the Organization for Transformative Works, who, among other things, maintain the fanfiction archive Archive of Our Own. This is a special issue on ‘The Classical Canon and/as Transformative Work’, edited by the redoubtable Ika Willis. I have a piece in here. I haven’t yet had time to read the rest, but dependable authors (and speakers at the ‘Swords, Sandals, Sorcery and Space’ conference) such as Amanda Potter and Juliette Harrisson have contributed.

Just this last weekend, Brett Rogers and Ben Stevens, who have previously brought us Classical Traditions in Science Fiction and ‘The Once and Future Antiquity’, together with Jesse Weimer, organized ‘The Modern Prometheus; or, Frankenstein’. The paper titles look really good, and I look forward to the publication.

Fantasy writer and Classics graduate Juliet McKenna writes about the importance of knowing how views of the past change, using attitudes to Greek homosexuality as her example.

C.E. Murphy has a new novel about Atlantis, Atlantis Fallen. I haven’t read this yet, so can’t comment.

Finally, Katherine McDonald has a blog post about the use of Latin in the 2008 Doctor Who episode ‘Planet of the Ood’ (the episode which follows immediately the famously Classical ‘Fires of Pompeii’), and how that text draws upon Seneca and Cicero and Petronius – maybe. The post is interesting in itself, but it also led me to Penny Goodman writing about the Latin in Murray Gold’s ‘Vale Decem’, and Philip Boyes’ gloriously fannish trawl through Classics in Doctor Who, in two posts. I’ve covered myself much the same material in a more academic fashion, in my contributions to Space and Time and Impossible Worlds, Impossible Things, and Amanda Potter will be writing about this for a forthcoming volume on Broadcasting Greece. Philip misses The Armageddon Factor, but brings my attention to the Greeks in Four to Doomsday, which I had missed. And I think that ‘The Fires of Pompeii’ very much is a celebrity historical in the general style of New Who, the celebrity in this case being Vesuvius itself. But Philip makes a lot of good points I shall have to consider when I return to this material.

Anyway, that should do for now.

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